My RG120 is Japanese made. It has 24 frets with dual humbuckers. The bridge is a stock Ibanez bridge with tremolo unit. The amp has volume and tone selectors. It has a three way pickup selector switch. Not sure what wood the neck is made of, but it is your typical fast ibanez neck. It is thin, normal width and has small to medium size frets.
The neck, as with many Ibanez's has a very nice and fast feel. Because it is a twenty-four fret neck, I can easily get to that wonderful high E either by bending up to it, or by simply striking the 24th fret on the 1st string. Give it some wild vibrato and Yngwie would be proud! Cutaways are well cut such that it makes it even easier to access the top notes. The guitar is very light and is easy to move around with. With mine in black, it is very conservative and professional, yet the design still screams "rock star !" Controls are simple and spartan. I usually put the tone all the way. Volume knob depends on where I am in the song. I select the top (low end) pickup mode for smooth solos, and the bottom (high end/treble) pickup mode for rhythm playing and for screaming solos and finger-tapping. I do not use the middle pickup mode.
This guitar, even at entry level, is shred all the way. Just perfect for me. When I go play a Jackson or even a Fender stratocaster, which I used to play, I am out of my element. That is how much I like the way Ibanez's play. If I buy an upgrade guitar, it will most likely be an Ibanez. (I've already got my eye on one.) I play mine through several pedals, including a Zoom multi-effect. I play through a Hartke half stalk, a Fender stage 185, a Crate gx30m, and a Fender Frontman, as well as a combination of these. Even though this is a double humbucker shred guitar, I feel it plays clean sounds / jazz and blues well, at least in my style. The wonderful clean sounds from my Fender amps also help. This guitar is great for heavy music as well as soloing. Get it set up, and you understand why the Satriani's of the world can solo for so long! The only drawback of lower action is the fret buzz, but that may be my guitar repairman's fault, not the guitar.
I've had this guitar for about 3 1/2 years and have been using it a lot since. It's such a great guitar for the price. It has seen me grown leaps and bounds in my development as a guitarist, and it's only considered a beginner electric ! I wish it had a better humbucker in the bridge position (the one in the bridge position does not have as much volume as the one in the neck position.) I also wish it had a H-S-H configuration and a tremolo unit that doesn't make the guitar go out of tune, but that's what an upgrade is for. I didn't try many other models besides this one, and since I didn't try out a Jackson, Hamer, Bc Rich etc, I probably didn't need to. I think my choice at the time was great. I still want to keep using this entry level guitar, as I would rather upgrade my amps and effects before I do my guitar.
My Ibanez Ghostrider guitar, in similar fashion to a Les Paul has a mahogany body and a 2-piece bookmatched maple top in a cherry sunburts finish, although tobacco sunbursts are rare they were also avaible) It sports cream binding on the body and neck, fairly high quality rosewood fretboard with abalone inlay fret blocks, and gold hardware all the way down to the pickup covers. Just like a Gibson it boasts a true set neck and tune-o-matic bridge. The controls, however unlike a Gibson LP, are limited to a single volume and tone with a 3-way selector.
The neck is very reminiscent of a Les Paul, slightly clubby feeling definitely slim enough to feel graceful when playing. Access to the 22 fret is possible, but may not satisfy shredders who want unrestricted access all the way up the fret board. To myself, it doesn't matter.
If you love playing a Paul but regret it halfway through a gig due to their weight, then this guitar is for you. Somehow, maybe due to a slightly smaller body and the double cutaway they have made a guitar thats several pounds lighter than an LP, and its very balanced and comfortable to play.
If you love playing a Paul but regret it halfway through a gig due to their weight, then this guitar is for you. Somehow, maybe due to a slightly smaller body and the double cutaway they have made a guitar thats several pounds lighter than an LP, and its very balanced and comfortable to play.
This is by far the most gorgeous-sounding guitar I have ever played. Granted I swapped in some Gibson P.A.F. pickups and that has sweetened it all the more. But to pick up this guitar and play it, and then remind yourself it doesn't cost 2000.00 is like a dream come true.
I play everything from hi-gain palm-muted metal riffing on the bridge pickup, to crunchy indie rock, to noodly jazz and Santana soloing, or back the guitars volume down to instantly clean it up for soulful bluesy licks and chords. When through a clean amp, the neck pickup comes through thick and almost jazzy, with enough fatness and sustain to satisfy me when playing mellow chords and licks. The neck pickup is also great for sweet overdriven soloing as this guitar will almost sustain like a real Paul.
I think the bridge pickup is a bit thin or lacking lower end when clean, thats my only real criticism. I usually reserve the bridge setting for crunchy distored sounds.
I play everything from hi-gain palm-muted metal riffing on the bridge pickup, to crunchy indie rock, to noodly jazz and Santana soloing, or back the guitars volume down to instantly clean it up for soulful bluesy licks and chords. When through a clean amp, the neck pickup comes through thick and almost jazzy, with enough fatness and sustain to satisfy me when playing mellow chords and licks. The neck pickup is also great for sweet overdriven soloing as this guitar will almost sustain like a real Paul.
I think the bridge pickup is a bit thin or lacking lower end when clean, thats my only real criticism. I usually reserve the bridge setting for crunchy distored sounds.
I've been playing this guitar for years, and will probably never part with it.
If I could have seperate volume/tone controls for each pickup like a Gibson, I'd be in heaven. As it stands I fiddle with the volume a bit to get the sounds I desire from one song or section to the next.
I have played Ibanez guitars before, various models, and I have played Les Paul Standards. To me this guitar is a good medium between them, and does things that really neither can do. To my ears it is more refined and sweet than most garden variety LPs which tend to be more raunchy and won't take you sonically where this guitar will; i.e. a santana solo sweetness or jazz fusion sound. It feels more akin to a shred guitar as far as playability without actually being one, but can still nail a decent shred-metal sound if you wanted one.
This is the best damn guitar I'll ever find for under 1000 bucks, and it only cost 500 used!! They don't make these anymore so if you find one snatch it up. You wont be sorry.
If I could have seperate volume/tone controls for each pickup like a Gibson, I'd be in heaven. As it stands I fiddle with the volume a bit to get the sounds I desire from one song or section to the next.
I have played Ibanez guitars before, various models, and I have played Les Paul Standards. To me this guitar is a good medium between them, and does things that really neither can do. To my ears it is more refined and sweet than most garden variety LPs which tend to be more raunchy and won't take you sonically where this guitar will; i.e. a santana solo sweetness or jazz fusion sound. It feels more akin to a shred guitar as far as playability without actually being one, but can still nail a decent shred-metal sound if you wanted one.
This is the best damn guitar I'll ever find for under 1000 bucks, and it only cost 500 used!! They don't make these anymore so if you find one snatch it up. You wont be sorry.

